Marie Sallé - Revision history

Mthatfalvi at 14:04, 22 June 2017

2017-06-22T14:04:59Z

Mthatfalvi at 12:46, 6 June 2017

2017-06-06T12:46:08Z

Mthatfalvi at 12:45, 6 June 2017

2017-06-06T12:45:44Z

Mthatfalvi at 12:26, 6 June 2017

2017-06-06T12:26:46Z

Mthatfalvi at 12:26, 6 June 2017

2017-06-06T12:26:11Z

Mthatfalvi at 12:22, 6 June 2017

2017-06-06T12:22:50Z

Mthatfalvi at 12:22, 6 June 2017

2017-06-06T12:22:32Z

Mthatfalvi at 12:17, 6 June 2017

2017-06-06T12:17:54Z

Mthatfalvi at 12:05, 6 June 2017

2017-06-06T12:05:17Z

Mthatfalvi at 15:02, 5 June 2017

2017-06-05T15:02:10Z

@@ Line 7: / Line 7: @@
 |caption = Portrait of Maria Salle
 Dancer and choreographer of the 18th century by I.Deshkova
-|label3 = '''Year'''
+|label2 = '''Year'''
-|data3 = 1730s
+|data2 = 1730s
 <!--Add/Delete the label/data pair lines as needed-->
 }}
@@ Line 22: / Line 24: @@
 ==Bio==
 [[Marie Sallé]] was born 1707 in France and was a daughter of a tumbler who was player in a company of actors directed by Francisque Moylin.<ref name = "french" > Beaumont, C. W. (1934). Marie Sallé. In Three French dancers of the 18th century: Camargo, Sallé, Guimard (pp. 18-25). London: C.W. Beaumont. </ref>  She was one of two children who both had a talent for dance. She made her first debut in 1718 at the St. Laurent's Fair in an opera-comique by Lesaye called ''La Princesse Carisme''.<ref name = "andros"> Andros, D. (1991, May). Marie Salle, (1707-1756). Retrieved June 05, 2017, from http://michaelminn.net/andros/biographies/salle_marie/ </ref>
-[[File:Maurice-Quentin de La Tour, Retrato de Mademoiselle Sallé (1741).jpg|300px|thumb| Mademoiselle Sallé (1741) by Maurice Quentin de La Tour]]<br>
+[[File:Maurice-Quentin de La Tour, Retrato de Mademoiselle Sallé (1741).jpg|300px|thumb| Mademoiselle Sallé (1741) <br><small> '''Attributed to''' Maurice Quentin de La Tour [Public domain], via Wikimedia Commons - [https://commons.wikimedia.org/wiki/File%3AMaurice-Quentin_de_La_Tour%2C_Retrato_de_Mademoiselle_Sall%C3%A9_(1741).jpg Link]]]<br>
 In 1725, Marie with her brother Nivelon were chosen by John Rich, who was the manager of the theatre in Lincoln's Inn Fields, to go to London and perform in his production named ''Love's Last Shift''. She stayed in London dancing in many productions for two years with her brother, then returned to Paris where she started then at the Opera. On September 14th, 1727, Marie made her debut in the Opera in ''Les Anmours des Dieux''. <ref name = "french"/> However, she quickly returned to London for some dances then back again to Paris because she would be ridiculed for her ideas in Paris for wanting to refine the dance costumes. She wanted to make them more liberating and free flowing for greater movement. She stayed in Paris from 1728 to 1733 then left to go to Covent Garden (now known as the [[Royal Opera House]]) where she choreographed and performed two of her greatest performances, ''Pigmalion'' and ''Bacchus and Ariadne'' which were both shown in the spring of 1734. <ref name = "inf"> McCleave, S. (2008). Marie Sallé, a Wise Professional Woman of Influence. In L. Brooks (Ed.), Womens work: making dance in Europe before 1800 (pp. 160-182). Madison, WI: University of Wisconsin Press.</ref> <br><br>
 After her season at Covent Garden, she renewed her contract with John Rich and danced for many operas & dance interludes between acts in plays. In an new opera by Handel called ''Alcina'' where she performed dressed as a boy. This decision of hers was not welcomed and she eventually went back to Paris. After a salary raise, she returned to the Paris Opera. During her time there, she produced, choreographed and performed in many different ballets that were all wildly praised for her talent, style & grace.

@@ Line 13: / Line 13: @@
 =Overview=
-Marie Sallé whom was born 1707 and died July 27, 1756, in Paris, France, was French dancer and choreographer. According to Encyclopedia Britannica, Salle performed expressive, dramatic dances during a period when displays of technical virtuosity were more popular.<ref name = "brit"> The Editors of Encyclopedia Britannica. ( 1998, July 20). Marie Salle. Retrieved June 05, 2017, from https://www.britannica.com/biography/Marie-Salle </ref> She was the first woman to choreograph the ballets in which she performed in. She integrated music, costumes, and dance styles with the themes of her ballets, a form that was not officially used in ballet until the ballet reformation in the late 18th-century.<ref name = "brit"/>
+[[Marie Sallé]] whom was born 1707 and died July 27, 1756, in Paris, France, was French dancer and choreographer. According to Encyclopedia Britannica, Salle performed expressive, dramatic dances during a period when displays of technical virtuosity were more popular.<ref name = "brit"> The Editors of Encyclopedia Britannica. ( 1998, July 20). Marie Salle. Retrieved June 05, 2017, from https://www.britannica.com/biography/Marie-Salle </ref> She was the first woman to choreograph the ballets in which she performed in. She integrated music, costumes, and dance styles with the themes of her ballets, a form that was not officially used in ballet until the ballet reformation in the late 18th-century.<ref name = "brit"/>
 <br><br>
 __TOC__

@@ Line 52: / Line 52: @@
 <br><br>
-=Image Gallery=
 [[Category:Drama & Theater]]
 [[Category:History]]

@@ Line 13: / Line 13: @@
 =Overview=
-Marie Sallé whom was born 1707 and died July 27, 1756, in Paris, France), was French dancer and choreographer. According to Encyclopedia Britannica, Salle performed expressive, dramatic dances during a period when displays of technical virtuosity were more popular.<ref name = "brit"> The Editors of Encyclopedia Britannica. ( 1998, July 20). Marie Salle. Retrieved June 05, 2017, from https://www.britannica.com/biography/Marie-Salle </ref> She was the first woman to choreograph the ballets in which she performed in. She integrated music, costumes, and dance styles with the themes of her ballets, a form that was not officially used in ballet until the ballet reformation in the late 18th-century.<ref name = "brit"/>
+Marie Sallé whom was born 1707 and died July 27, 1756, in Paris, France, was French dancer and choreographer. According to Encyclopedia Britannica, Salle performed expressive, dramatic dances during a period when displays of technical virtuosity were more popular.<ref name = "brit"> The Editors of Encyclopedia Britannica. ( 1998, July 20). Marie Salle. Retrieved June 05, 2017, from https://www.britannica.com/biography/Marie-Salle </ref> She was the first woman to choreograph the ballets in which she performed in. She integrated music, costumes, and dance styles with the themes of her ballets, a form that was not officially used in ballet until the ballet reformation in the late 18th-century.<ref name = "brit"/>
 <br><br>
 __TOC__

@@ Line 21: / Line 21: @@
 <br>
 ==Bio==
-Marie Sallé was born 1707 in France and was a daughter of a tumbler who was player in a company of actors directed by Francisque Moylin.<ref name = "french" > Beaumont, C. W. (1934). Marie Sallé. In Three French dancers of the 18th century: Camargo, Sallé, Guimard (pp. 18-25). London: C.W. Beaumont. </ref>  She was one of two children who both had a talent for dance. She made her first debut in 1718 at the St. Laurent's Fair in an opera-comique by Lesaye called ''La Princesse Carisme''.<ref name = "andros"> Andros, D. (1991, May). Marie Salle, (1707-1756). Retrieved June 05, 2017, from http://michaelminn.net/andros/biographies/salle_marie/ </ref>
+[[Marie Sallé]] was born 1707 in France and was a daughter of a tumbler who was player in a company of actors directed by Francisque Moylin.<ref name = "french" > Beaumont, C. W. (1934). Marie Sallé. In Three French dancers of the 18th century: Camargo, Sallé, Guimard (pp. 18-25). London: C.W. Beaumont. </ref>  She was one of two children who both had a talent for dance. She made her first debut in 1718 at the St. Laurent's Fair in an opera-comique by Lesaye called ''La Princesse Carisme''.<ref name = "andros"> Andros, D. (1991, May). Marie Salle, (1707-1756). Retrieved June 05, 2017, from http://michaelminn.net/andros/biographies/salle_marie/ </ref>
 [[File:Maurice-Quentin de La Tour, Retrato de Mademoiselle Sallé (1741).jpg|300px|thumb| Mademoiselle Sallé (1741) by Maurice Quentin de La Tour]]<br>
 In 1725, Marie with her brother Nivelon were chosen by John Rich, who was the manager of the theatre in Lincoln's Inn Fields, to go to London and perform in his production named ''Love's Last Shift''. She stayed in London dancing in many productions for two years with her brother, then returned to Paris where she started then at the Opera. On September 14th, 1727, Marie made her debut in the Opera in ''Les Anmours des Dieux''. <ref name = "french"/> However, she quickly returned to London for some dances then back again to Paris because she would be ridiculed for her ideas in Paris for wanting to refine the dance costumes. She wanted to make them more liberating and free flowing for greater movement. She stayed in Paris from 1728 to 1733 then left to go to Covent Garden (now known as the [[Royal Opera House]]) where she choreographed and performed two of her greatest performances, ''Pigmalion'' and ''Bacchus and Ariadne'' which were both shown in the spring of 1734. <ref name = "inf"> McCleave, S. (2008). Marie Sallé, a Wise Professional Woman of Influence. In L. Brooks (Ed.), Womens work: making dance in Europe before 1800 (pp. 160-182). Madison, WI: University of Wisconsin Press.</ref> <br><br>

@@ Line 40: / Line 40: @@
 At the time, ballet dancers would dress in extravagant costumes with corsets. This did not give freedom for much movement. It was unheard of what [[Marie Sallé]] did in this performance. According to a review from her endeavor ''"For nearly two months Pygmalion has been given without any sign of failing interest...You can imagine, Sir, what the different stages of such an action can become when mimed and danced with the refined and delicate grace of Mlle. Sallé. She has dared to appear in this entree without pannier, skirt or bodice and with her hair down; she did not wear a single ornament on her head. Apart from her corset and petticoat she wore only a simple dress of muslin draped about her in the manner of a Greek statue."'' <ref name = "andros"/> <br><br>
-Marie was complemented in many reviews for her success & genius in her decision & performance. She even got to perform for the royalty of the day. One review from ..., about her performance said that, ''"Sallé had talents to open a thousand purses"''. Apparently she could bring a lot of people to a theater and the theater made money. Overall, this perfromance was a breakthrough in ballet history with costumes and style.
+Marie was complemented in many reviews for her success & genius in her costume decision & performance. She even got to perform the dance for the King Geroge II and Queen Caroline and all of the Court. Overall, this performance was a breakthrough in ballet history with it's costumes and style.
 <br><br>

@@ Line 60: / Line 60: @@
 =External Links=
 [http://michaelminn.net/andros/biographies/salle_marie/ Marie Salle Bio]<br>
-[https://www.britannica.com/biography/Marie-Salle Bio Marie Salle Britannica]
+[https://www.britannica.com/biography/Marie-Salle Bio Marie Salle Britannica Encyclopedia]
 <br><br>