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(Juvenalian)
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Much of Juvenal's poems attack the conditions one had lived in Rome with the Roman rulers of Domitian, Nerva, Trajan and Hadrian. These poems were compiled into five separate books. The first book contains the first five satirical poems he had written. It encompasses his views in retrospective of the tyrannical reign of Domitian and was published between 100 and 110. The second book was the largest of books published and contained on satire 6. It covered the topics of the year 115. Book third contained satire 7, 8, and 9 and opens with praised for an emperor, probably Hadrian, who created a literary institute to assist authors. Juvenal believes that this emperor is the only reason that literature may survive. Not many conclusions can be drawn on what is written in book four and book five references year 127 and contains satires 13-16.
 
Much of Juvenal's poems attack the conditions one had lived in Rome with the Roman rulers of Domitian, Nerva, Trajan and Hadrian. These poems were compiled into five separate books. The first book contains the first five satirical poems he had written. It encompasses his views in retrospective of the tyrannical reign of Domitian and was published between 100 and 110. The second book was the largest of books published and contained on satire 6. It covered the topics of the year 115. Book third contained satire 7, 8, and 9 and opens with praised for an emperor, probably Hadrian, who created a literary institute to assist authors. Juvenal believes that this emperor is the only reason that literature may survive. Not many conclusions can be drawn on what is written in book four and book five references year 127 and contains satires 13-16.
 
<br>
 
<br>
Juvenal's structure to satires is unchanging and can be see in all 16 satires. There is a clear and forceful approach and tone to them. Gilbert Highet states that:<blockquote>They are full of skillfully expressive effects in which the sound and rhythm mimic and enhance the sense; and they abound in trenchant phrases and memorable epigrams</blockquote> Juvenal describes the striking and disgusting scenes with clarity making them unforgettable.
+
Juvenal's structure to satires is unchanging and can be see in all 16 satires. There is a clear and forceful approach and tone to them. Gilbert Highet states that:<blockquote>They are full of skillfully expressive effects in which the sound and rhythm mimic and enhance the sense; and they abound in trenchant phrases and memorable epigrams</blockquote> Juvenal describes the striking and disgusting scenes with clarity making them unforgettable and this is done by using anger and extreme ridicule.<br>
 +
Common Juvenalian Satires:<br>
 +
Bradbury, Ray, Fahrenheit 451.
 +
Golding, William, Lord of the Flies.
 +
Orwell, George, Nineteen Eighty-Four.
 +
Orwell, George, Animal Farm.
 +
Voltaire, Candide
 +
Heller, Joseph, Catch-22.
 +
 
 
===Menippean===
 
===Menippean===
 
Menippus was a Cynic satirist who satirized other philosophers, who was called σπουδογέλοιος or "the man who jokes about serious things." Very little is know about his life and works because all of it was lost. Sources say that he was a slave who somehow won his freedom and lived in Thebes, Greece.<ref>Stephanus Byz.; Strabo, xvi.</ref>Though his works are lost much of his style can be seen in his imitators Varro, Seneca, and Lucian. His approach was new and inspiring because he presented his philosophical ideas in a way that is reached a very wide audience. His works abandoned the serious form of dialog and essay and instead used the cynic message in a satiric style to mock institutions, ideas and normal conventions in a mixture of prose and verse. He used unusual settings such as a decent into Hades , an auction and a symposium to impose a striking effect on the audiences and readers. Remanence of his works can be seen in other authors works such as Petronius Arbiter who wrote ''Satyricon'' which is an ideal tale in verse and prose, but contains long digressions where the author expresses his views on unrelated topics that are not effecting the pot which is true to the Menippean tradition. <ref>The Editors of Encyclopædia Britannica. (n.d.). Menippus. Retrieved May 31, 2017, from https://www.britannica.com/biography/Menippus </ref>
 
Menippus was a Cynic satirist who satirized other philosophers, who was called σπουδογέλοιος or "the man who jokes about serious things." Very little is know about his life and works because all of it was lost. Sources say that he was a slave who somehow won his freedom and lived in Thebes, Greece.<ref>Stephanus Byz.; Strabo, xvi.</ref>Though his works are lost much of his style can be seen in his imitators Varro, Seneca, and Lucian. His approach was new and inspiring because he presented his philosophical ideas in a way that is reached a very wide audience. His works abandoned the serious form of dialog and essay and instead used the cynic message in a satiric style to mock institutions, ideas and normal conventions in a mixture of prose and verse. He used unusual settings such as a decent into Hades , an auction and a symposium to impose a striking effect on the audiences and readers. Remanence of his works can be seen in other authors works such as Petronius Arbiter who wrote ''Satyricon'' which is an ideal tale in verse and prose, but contains long digressions where the author expresses his views on unrelated topics that are not effecting the pot which is true to the Menippean tradition. <ref>The Editors of Encyclopædia Britannica. (n.d.). Menippus. Retrieved May 31, 2017, from https://www.britannica.com/biography/Menippus </ref>

Revision as of 16:29, 31 May 2017

Becoming a Playwright

by Lauren Conroy

Becoming a Playwright
Milestone Image

Abstract


1) This Capstone is culmination of all that I have learned about theater in London and at WPI. I plan to do research on how to write a satirical play, to analyze 2 satires, and to find out what makes satirical plays such a success. Then I will create my own satirical play, a short one act play, with the theme of tourism in London. ts a fun way to tie together theater and my adventures in London with some comic relief. 2) At WPI, I took two theater classes in my A and B term with Professor Susan Vick and Professor Barbara McCarthy. In my Introduction to Drama class, I preformed several lines from Shakespeare's Much Ado About Nothing as well as wrote a 5 minuet monologue which was preformed by another student for the class. In my American Drama class, several classmates and I preformed the chaotic dinner scene from August: Osage County for the class. In all, I have very limited experience preforming in and writing play scripts.

3) your major takeaways from the experience. This can and should be very similar to the paragraph you use to summarize this milestone on your Profile Page. It should contain your main Objective, so be sure to clearly state a one-sentence statement that summarizes your main objective for this milestone such as "a comparison of the text of Medieval English choral music to that of the Baroque" or it may be a question such as "to what extent did religion influence Christopher Wren's sense of design?"

Introduction


What makes a play funny? Well this differs from country to country, but overall something that



Section 1: Background

Satire


"Satire" is derived from the Latin word satura meaning "full" which then came to mean "a mixture full of different things" [1] The word satura, which Quintillian strictly used and denotes only Roman verse satire, states that the satire must use hexameter form. This form consists of metric line containing six feet, most often consisting of an accented syllable followed by two unaccented syllables, which is called dactyl. [2] It is one of the most original, challenging and memorable forms of literature and has been used by writers such as Voltaire, Rabelais and Petronius. Gilbert Highet, the author of Anatomy of Satire wrote that satire "Pictures real men and women, often in lurid colours, but always with unforgettable clarity. It uses the bold and vivid language of its own time, eschewing stale cliches and dead conventions." Unlike other patterns of literature, which can be felt as remote and formal, satire is more free, easy and direct to the point. With the best satirist there is very little convention, but much reality. The best way to discover and learn about satire is to look at what themes are regarded by satirists as important and inflectional. In satire, there are 3 categories that a work may fall into, Horatian, Juvenalian and Menippean. Some however may not fall into these categories at all because there is no defined way to write a satire.

Categories of Satire

Horatian

Horatio was the son of a freed slave turned auctioneer's assistant and we probably of Sabellian hillman stock of Italy's central highlands. His father was well off enough to take his son to Rome and ensured that his son was getting the best possible education in a school of famous fellow Sabellian named Orbilius he then went and studied and attended lectures at the Academy in Athens, Greece. When Julius Caesar was assassinated and when the empire was in possession of two rulers, Horace joined Brutus' army and was made tribunus militum, which was an exceptional honor for a freedman's son. However after being put in charge of Brutus' and Cassius' legions and suffering total defeat he had to retreat and find political asylum.
While seeking asylum, he works on his first book of satires which contains 10 poems written in hexameter verse. These satires focus on Horace's adhesion to Octavian's attempts to deal with contemporary challenges of restoring traditional morality. He defends small landowners from large estates, combating debt and usury, and encouraging the "new men" to take their place next to the traditional republican aristocracy. The satires praise people who earn their own money and their own way in life without the help of family lineage. He believes in self sufficiency for a quite life and it is the basis for a lot of these poems. His next few poems emphasize the mockery of Philippi and throws personal attacks and ridicule on the social abuses not individual people. Epodes 7,9, and 16 shows a more sensitive side to the political verse due to the uncertainty of the future when Octavian and Mark Antony meet and discuss the current hostilities. His second book is published around 31 BC and becomes decreasingly pugnacious towards public figures such as businessmen and courtesans. The last ode of the first three books suggests that Horace did not propose to write any more such poems. In total Horace published 3 books which contained 88 short poems.
Horatian odes are short in nature and are written in stanzas of two or four lines and aims to mitigate situations with kindness rather then anger. "It directs wit, exaggeration, and self-deprecating humour toward what it identifies as folly, rather than evil. Horatian satire's sympathetic tone is common in modern society."[3] [4]

Commonly Known Examples of Horatian Satires:
' Adventures of Huckleberry Finn Mark Twain
The Rape of the Lock Alexander Pope

Juvenalian

Juvenal was a Roman poet who was considered one of the most influential and powerful satiric poets. He was born into an influential family and became an officer in the army as well as was on the way to becoming an administration on emperor Domitian's service. He was not promoted to his desired position and decided to write a satire declaring that the court favors was the reason he was not promoted. This caused him to be banished to Syene, which today is Aswan, Egypt and he had his property confiscated. After the assassination of Domitian, he moved back to Rome where he rebuilt his life and continued writing satires. In his later years, his satires contained more human emotion which may have marked that he had found solace from his rough beginnings in Rome. His is estimated to have died in 127 and had left 16 satiric poems.[5]
Much of Juvenal's poems attack the conditions one had lived in Rome with the Roman rulers of Domitian, Nerva, Trajan and Hadrian. These poems were compiled into five separate books. The first book contains the first five satirical poems he had written. It encompasses his views in retrospective of the tyrannical reign of Domitian and was published between 100 and 110. The second book was the largest of books published and contained on satire 6. It covered the topics of the year 115. Book third contained satire 7, 8, and 9 and opens with praised for an emperor, probably Hadrian, who created a literary institute to assist authors. Juvenal believes that this emperor is the only reason that literature may survive. Not many conclusions can be drawn on what is written in book four and book five references year 127 and contains satires 13-16.

Juvenal's structure to satires is unchanging and can be see in all 16 satires. There is a clear and forceful approach and tone to them. Gilbert Highet states that:

They are full of skillfully expressive effects in which the sound and rhythm mimic and enhance the sense; and they abound in trenchant phrases and memorable epigrams

Juvenal describes the striking and disgusting scenes with clarity making them unforgettable and this is done by using anger and extreme ridicule.

Common Juvenalian Satires:
Bradbury, Ray, Fahrenheit 451. Golding, William, Lord of the Flies. Orwell, George, Nineteen Eighty-Four. Orwell, George, Animal Farm. Voltaire, Candide Heller, Joseph, Catch-22.

Menippean

Menippus was a Cynic satirist who satirized other philosophers, who was called σπουδογέλοιος or "the man who jokes about serious things." Very little is know about his life and works because all of it was lost. Sources say that he was a slave who somehow won his freedom and lived in Thebes, Greece.[6]Though his works are lost much of his style can be seen in his imitators Varro, Seneca, and Lucian. His approach was new and inspiring because he presented his philosophical ideas in a way that is reached a very wide audience. His works abandoned the serious form of dialog and essay and instead used the cynic message in a satiric style to mock institutions, ideas and normal conventions in a mixture of prose and verse. He used unusual settings such as a decent into Hades , an auction and a symposium to impose a striking effect on the audiences and readers. Remanence of his works can be seen in other authors works such as Petronius Arbiter who wrote Satyricon which is an ideal tale in verse and prose, but contains long digressions where the author expresses his views on unrelated topics that are not effecting the pot which is true to the Menippean tradition. [7]
The Menippean for is defined as a intellectually humorous work that is characterize by its random contents, the display of curious information, and its comical discussion of serious and philosophical topics. The humour in works such as Lewis Carroll's Alice's Adventures in Wonderland is more cheerfully intellectual and less aggressive than in works such as Robert Burton's Anatomy of Melancholy which we would usually call satires, although it holds up contemporary intellectual life to gentle ridicule.

[8]

Modern Satires

Section 2: Deliverable


The Types of Tourists Found in London as told by a "Stupid" American Tourist

Tourist.jpg


By looking into satirical plays, I thought what could be better then writing my own satirical one act play. Initially, I was unsure of what topic my play would be on, but then I looked at myself and then looked at London. My play will explore the effects of tourism on the local peoples and surrounding area of London and how even though tourism effects the economy in a positive way, the tourist themselves can reek havoc on the place they are exploring.
Honestly some stories in the news about tourist who hurt wildlife and break priceless just to get photographs are heartbreaking. By creating a play about the what damage "bad" tourists can do, I hope will shed some light on their harm to the nation they are visiting.



The Play Script


Click to See Play Script
https://londonhuawiki.wpi.edu/images/c/cd/The_Types_of_Tourists_Found_in_London.pdf

Conclusion


In this section, provide a summary or recap of your work, as well as potential areas of further inquiry (for yourself, future students, or other researchers).

References



External Links

If appropriate, add an external links section



  1. HIGHET, G. (1962). Anatomy of Satire. Princeton University Press. Retrieved from http://www.jstor.org.ezproxy.wpi.edu/stable/j.ctt13x0t9t
  2. Hexameter. (n.d.). Retrieved May 25, 2017, from https://www.poetryfoundation.org/resources/learning/glossary-terms/detail/hexameter
  3. Sharma, R. "Comedy" in New Light-Literary Studies.
  4. Grant, M. (n.d.). Horace. Retrieved May 31, 2017, from https://www.britannica.com/biography/Horace-Roman-poet
  5. Highet, G. (n.d.). Juvenal. Retrieved May 31, 2017, from https://www.britannica.com/biography/Juvenal
  6. Stephanus Byz.; Strabo, xvi.
  7. The Editors of Encyclopædia Britannica. (n.d.). Menippus. Retrieved May 31, 2017, from https://www.britannica.com/biography/Menippus
  8. Hornblower, Simon, and Antony Spawforth. "Menippean Satire". The Oxford Classical Dictionary 2003: 413. Print.