Actions

Difference between revisions of "Marie Sallé"

From Londonhua WIKI

Line 2: Line 2:
  
 
{{Infobox  
 
{{Infobox  
|title = Article Title
+
|title = Marie Sallé
|header1 = The Chandos Portrait
 
of William Shakespeare
 
 
|bodystyle = width:25em
 
|bodystyle = width:25em
|image = [[File:Articlepicture.jpg|x450px|alt=Article Image]]
+
|image = [[File:Salle1.jpg|x450px|alt=Article Image]]
|caption = Representative Article Image
+
|caption = Portrait of Maria Salle
|label2 = '''Artist'''
+
Dancer and choreographer of the 18th century by I.Deshkova
|data2 = Attributed to [[John Taylor]]
 
 
|label3 = '''Year'''
 
|label3 = '''Year'''
|data3 = c. 1600s
+
|data3 = 1730s
|label4 = '''Dimensions'''
 
|data4 = 55.2 cm × 43.8 cm ( 21 3⁄4 in ×  17 1⁄4 in)
 
|label5 = '''Location'''
 
|data5 = National Portrait Gallery, London
 
 
<!--Add/Delete the label/data pair lines as needed-->
 
<!--Add/Delete the label/data pair lines as needed-->
 
}}
 
}}
 
Use this page as a template when creating new articles by clicking ''Actions>View Source'' and create a new page with the name of the article you're creating. In the newly copied page, [[Special:Upload|upload]] your own image, then replace the "Articlepicture.jpg" above with the new image name. Replace "Representative Image" in both the image line and the top-level heading above with your first and last name. Delete this whole paragraph beneath the Representative Image title but not including the ''Table of Contents'' tag
 
<nowiki>__TOC__</nowiki>.
 
  
 
=Overview=
 
=Overview=

Revision as of 13:53, 5 June 2017

Marie Sallé

Marie Sallé
Article Image
Portrait of Maria Salle Dancer and choreographer of the 18th century by I.Deshkova
Year 1730s

Overview

The paragraph should give a three to five sentence abstract about your article. PLEASE NOTE: this article template has only a few sections as examples, but your actual article contributions should have many relevant sections and subsections. Please start to block out and complete those sections with relevant information such as the very objective, fact-based, and heavily referenced "who, what, when, where, and why" about this article. Articles don't just have to be huge buildings; individual artifacts and lesser-known people, places, and things count as article topics! Don't forget to include relevant category tags for each article!


Background


Begin writing the background information of this article, or use this format to begin a new article with some other relevant section filled with important information.

Bio

Marie Sallé was born 1707 in France and was a daughter of a tumbler. [1] She was taught dance a very early and made her debut in 1718 at the St. Laurent's Fair in an opera-comique by Lesaye titled La Princesse Carisme. [1]

//get another reference

She toured in fairs for years and in 1721 appeared for the first time in the Opera in Paris in Les Fetes Venitiennes. She became a student of Francoise Prevost at the Academie Royale, but the jealousy of the older danseuse kept her from advancing rapidly. In 1725 John Rich took her to London where she first appeared in Love's Last Shift in entreacte divertissement with her brother. She danced with her brother through- out her career. Later she danced in Caracteres de la Danse.

She stayed in London for two years and returned to Paris where she danced at the Opera. She danced a solo entree, but for the next few months was in the corps de ballet. In about a year however she was recognized as a dancer of great talent. The rivalry with Camargo which became a feature of both dancers' careers began at this time. During the next few years she alternated her time between London and Paris. She was a noted intellect and associated with the men of letters of her time.

She was a reformer in dance. In London in 1734 she appeared in her own production of "Pygmalion". She discarded the cumbersome dress of the day and danced in a muslin costume, her hair down and unornamented. This was in line with her belief that dance should be natural and expressive.

A review of her endeavor read: "For nearly two months Pygmalion has been given without any sign of failing interest...You can imagine, Sir, what the different stages of such an action can become when mimed and danced with the refined and delicate grace of Mlle. Sallé. She has dared to appear in this entree without pannier, skirt or bodice and with her hair down; she did not wear a single ornament on her head. Apart from her corset and petticoat she wore only a simple dress of muslin draped about her in the manner of a Greek statue."

Salle retired in 1740 and many of her reforms were adopted by her successors. She was championed by reformer Noverre who agreed with her precepts. As a dancer she was loved for her naturalness, grace and lack of affectation. As a women she was known for her intelligence and virtue.//

Performances

France

England

Pygmalion

Summary
Reviews

Add links to other articles, but do not link to personal student profile pages or milestone pages. Add media as needed in the appropriate sections.

Representative Image


References

  1. 1.0 1.1 Andros, D. (1991, May). Marie Salle, (1707-1756). Retrieved June 05, 2017, from http://michaelminn.net/andros/biographies/salle_marie/



External Links

If appropriate, add an external links section

Image Gallery

If appropriate, add an image gallery