Modern Galleries in London: a Documentary

Galleries in London

by Sofia Reyes and Jacob Dupuis

Title of this Milestone

Documentary

Introduction

I suggest you save this section for last. Describe the essence of this project. Cover what the project is and who cares in the first two sentences. Then cover what others have done like it, how your project is different. Discuss the extent to which your strategy for completing this project was new to you, or an extension of previous HUA experiences.

Section 1: Background

Documenting Art

Since the mid-1900s, artists have explored of documentary reference and the material trace in the gallery with increasing frequency. Strategies behind how to capture art

Types of Documentary

Every documentary has its own distinct voice. Like every speaking voice, every cinematic voice has a style or “grain” all its own that acts like a signature or fingerprint. It attests to the individuality of the filmmaker or director or, sometimes, to the determining power of a sponsor or controlling organization. Individual voices lend themselves to an auteur theory of cinema, while shared voices lend themselves to a genre theory of cinema. Genre study considers the qualities that characterize various groupings of filmmakers and films. In documentary film and video, we can identify six modes of representation that function something like sub-genres of the documentary film genre itself: poetic, expository, participatory, observational, reflexive, performative. These six modes establish a loose framework of affiliation within which individuals may work; they set up conventions that a given film may adopt; and they provide specific expectations viewers anticipate having fulfilled. Each mode possesses examples that we can identify as prototypes or mod- 99 Nichols, Intro to Documentary 8/9/01 10:19 AM Page 99 els: they seem to give exemplary expression to the most distinctive qualities of that mode.They cannot be copied, but they can be emulated as other filmmakers, in other voices, set out to represent aspects of the historical world from their own distinct perspectives.<ref>/Nichols, B. (2017). Introduction to documentary. Bloomington, IN: Indiana University Press.<ref>

Poetic

Origin
Example:

Expository

Describing a scenario / ‘voice of god’
Origin
Ken Burns, Nature Movies

Participatory

Filmmaker is included, and guides through the story.
Origin
Examples

Observational (Cinéma vérité)

Origin
Examples

Reflexive

Filmmaker does not use outside subjects, only explains how the film was created as it unfolds.

Writing a documentary

Brainstorming a concept
Creating a story

Planning a documentary

Production
Developing a concept into a film

Section 2: Deliverable

Selecting Galleries

google maps

In this section, provide your contribution, creative element, assessment, or observation with regard to your background research. This could be a new derivative work based on previous research, or some parallel to other events. In this section, describe the relationship between your background review and your deliverable; make the connection between the two clear.

Filming Process

...use as many subsections or main sections as you need to support the claims for why what you did related to your Background section...

Final Video Outline

Serpentine Gallery & Pavilion

Location -
History -
Purpose -
Current Displays -
Pavilion -
Transition

Unit London

Location -
History -
Mission -
Current Exhibits -
Notable Exhibits -
Transition

White Cube

Locations -
History -
Purpose -
Current Displays -
Other Locations -
Transition -

Gallery

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  Caption 1

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  Caption 2

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  Caption 3

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  Caption 4

Conclusion

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References

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Attribution of Work

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External Links

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Image Gallery

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