Modern Galleries in London: a Documentary

Title of this Milestone

by Sofia Reyes and Jacob Dupuis

Title of this Milestone

Your Project Page Picture Caption

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Abstract

The paragraph should give a three to five sentence abstract about your entire London HUA experience including 1) a summary of the aims of your project, 2) your prior experience with humanities and arts courses and disciplines, and 3) your major takeaways from the experience. This can and should be very similar to the paragraph you use to summarize this milestone on your Profile Page. It should contain your main Objective, so be sure to clearly state a one-sentence statement that summarizes your main objective for this milestone such as "a comparison of the text of Medieval English choral music to that of the Baroque" or it may be a question such as "to what extent did religion influence Christopher Wren's sense of design?"

Introduction

I suggest you save this section for last. Describe the essence of this project. Cover what the project is and who cares in the first two sentences. Then cover what others have done like it, how your project is different. Discuss the extent to which your strategy for completing this project was new to you, or an extension of previous HUA experiences.

Section 1: Background

Modern Art Galleries in London

Now you're on your own! Your milestone must include a thorough and detailed background section with detailed subsections; if additional articles are required to be referenced in this background section, create those as well and link to them (the creation of all pages is tracked by the wiki site and attributed to your username). Remember to use rich multimedia whenever possible. Consult the Help page as needed! Remember, if you don't see an article on this site that is an integral part of your project, create it! Your entire page-creating/page-editing history factors into your overall grade.

Documenting Art

Strategies behind how to capture art

Types of Documentary

Poetic

Origin
Example:

Expository

Describing a scenario / ‘voice of god’
Origin
Ken Burns, Nature Movies

Participatory

Filmmaker is included, and guides through the story.
Origin
Examples

Observational (Cinéma vérité)

Origin
Examples

Reflexive

Filmmaker does not use outside subjects, only explains how the film was created as it unfolds.

Writing a documentary

Brainstorming a concept
Creating a story

Planning a documentary

Production
Developing a concept into a film

Section 2: Deliverable

Selecting Galleries

Additional Image

In this section, provide your contribution, creative element, assessment, or observation with regard to your background research. This could be a new derivative work based on previous research, or some parallel to other events. In this section, describe the relationship between your background review and your deliverable; make the connection between the two clear.

Filming Process

...use as many subsections or main sections as you need to support the claims for why what you did related to your Background section...

Final Video Outline

Serpentine Gallery & Pavilion

Location -
History -
Purpose -
Current Displays -
Pavilion -
Transition

Unit London

Location -
History -
Mission -
Current Exhibits -
Notable Exhibits -
Transition

White Cube

Locations -
History -
Purpose -
Current Displays -
Other Locations -
Transition -

Gallery

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  Caption 1

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  Caption 2

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  Caption 3

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  Caption 4

Conclusion

In this section, provide a summary or recap of your work, as well as potential areas of further inquiry (for yourself, future students, or other researchers).

References

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Attribution of Work

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External Links

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Image Gallery

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